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1231 Rakerd, B., Sennett, W. & Fowler, C.A. (1987). Domain-Final lengthening and foot-level shortening in spoken English. Phonetica 44, 147-155
395 Rakerd, B., Dechovitz, D. R., & Verbrugge, R. R. (1982). An effect of sentence finality on the phonetic significance of silence. Language and Speech, 25, 267-282.
447 Rakerd, B. (1984). Vowels in consonantal context are perceived more linguistically than are isolated vowels: Evidence from an individual differences scaling study. Perception & Psychophysics, 35, 123-136.
465 Rakerd, B., Verbrugge, R. R., & Shankweiler, D. (1984). Monitoring for vowels in isolation and in a consonantal context. Journal of the Acoustical Society of America, 76, 27-31.
486 Rakerd, B. & Verbrugge, R. R. (1984). Linguistic and acoustic correlates of the perceptual structure found in an individual differences scaling study of vowels. Journal of the Acoustical Society of America, 77, 296-301.
1007 Ramsey, J. O., Munhall, K. G., Gracco, V. L., & Ostry, D. J. (1996). Functional data analyses of lip motion. Journal of the Acoustical Society, 99, 3718-3727.
150 Rand, T. C. (1974). Dichotic release from masking for speech. Journal of the Acoustical Society of America, 55, 678-680.
709 Rapala, M. M., & Brady, S. (1990). Reading Ability and Short-Term Memory: The Role of Phonological Processing. Reading and Writing: An Interdisciplinary Journal, 2, 1-25.
123 Raphael, L. J. (1972). Preceding vowel duration as a cue to the perception of the voicing characteristics of word-final consonants in American English. Journal of the Acoustical Society of America, 51, 1296-1303.
178 Raphael, L. J., & Bell-Berti, F. (1975). Tongue musculature and the feature of tension in English vowels. Phonetica, 32, 61-73.
181 Raphael, L. J. (1975). The physiological control of durational differences between owels preceding voiced and voiceless consonants in English. Journal of Phonetics, 3, 5-33.
196 Raphael, L. J., Dorman, M. F., Freeman, F., & Tobin, C. (1975). Vowel and nasal duration as cues to voicing in word-final stop consonants: Spectrographic and perceptual studies. Journal of Speech and Hearing Research, 18, 389-400.
266 Raphael, L. J., Bell-Berti, F., Collier, R., & Baer, T. (1979). Tongue position in rounded nd unrounded front vowel pairs. Language and Speech, 22, 37-48.
272 Raphael, L. J. (1979). Bridging the gap. A review by Lawrence J. Raphael of Speech and Language in the Laboratory, School, and Clinic, by J. Kavanagh and W. Strange (eds.). Contemporary Psychology, 24, 463-464.
316 Raphael, L., Dorman, M., & Liberman, A. (1980). On defining the vowel duration that cues voicing in final position. Language and Speech, 23, 297-308.
317 Raphael, L. J., & Dorman, M. F. (1980). Silence as a cue to the perception of syllable-initial and syllable-final stop consonants. Journal of Phonetics, 8, 269-275.
318 Raphael, L. J., Dorman, M. F., & Geffner, D. (1980). Voicing-conditioned durational differences in vowels and consonants in the speech of three- and four-year old children. Journal of Phonetics, 8, 335-341.
344 Raphael, L. J. (1981). Durations and contexts as cues to word-final cognate opposition in English. Phonetica, 38, 126-147.
972 Raphael, L. J., Tobin, Y., Faber, A., Most, T., Kollia, B., & Milstein, D. (1995). Intermediate values of voice onset time. In F. Bell-Berti and L. J. Raphael (Eds.), Producing Speech: Contemporary Issues. For Katherine Safford Harris. AIP Press: Woodbury, NY.
1151 Raveh, M. & Rueckl, J.G. (2000). Equivalent effects of inflected and derived primes: Long-term morphological priming in fragment completion and lexical decision. Journal of Memory and Language, 42, 103-119.
404 Recasens, D. (1983). Place cues for nasal consonants with special reference to Catalan. Journal of the Acoustical Society of America, 73, 1346-1353.
448 Recasens, D. (1984). V-to-C coarticulation in Catalan VCV sequences: An articulatory and acoustical study. Journal of Phonetics, 12, 61-73.
479 Recasens, D. (1984). Vowel-to-vowel coarticulation in Catalan VCV sequences. Journal of the Acoustical Society of America, 76, 1624-1635.
483 Recasens, D. (1984). Timing constraints and coarticulation: Alveolo-palatals and sequences of alveolar + [j] in catalan. Phonetica, 41, 125-139.
521 Recasens, Daniel (1985) Coarticulatory Patterns and Degrees of Coarticulatory Resistance in Catalan CV Sequences. Language and Speech, Vol. 28, Part 2, 97-114.
880 Recasens, D., Fontdevila, J., Parrares, M. D., & Solanas, A. (1993). An electropalatographic study of stop consonant clusters. Speech Communication, 12, 335-355.
960 Recasens, D., Farnetani, E., Fontdevila, J., & Pallares, M. D. (1993). An electropalatographic study of alveolar and palatal consonants in Catalan and Italian. Language and Speech, 36, 213-234.
1046 Recasens, D., & Romero, Joaquin. (1997). An EMMA study of segmental complexity in alveolopalatals and palatalized alveolars. Phonetica, 54, 43-58.
257 Remez, R. E. (1979). Adaptation of the category boundary between speech and nonspeech: A case against feature detectors. Cognitive Psychology, 11, 38-57.
301 Remez, R. E., Cutting, J. E., & Studdert-Kennedy, M. (1980). Cross-series adaptation using song and string. Perception & Psychophysics, 27, 524-530.
338 Remez, R. E., Rubin, P. E., Pisoni, D. B., & Carrell, T. D. (1981). Speech perception without traditional speech cues. Science, 212, 947-950.
402 Remez, R. E., & Rubin, P. E. (1983). The stream of speech. Scandinavian Journal of Psychology, 24, 63-66.
420 Remez, R. E., Rubin, P. E., & Pisoni, D. B. (1983). Coding of the speech spectrum in three time-varying sinusoids. Annals of the New York Academy of Sciences, 485-489.
462 Remez, R. E., & Rubin, P. E. (1984). On the perception of intonation from sinusoidal sentences. Perception & Psychophysics, 35, 429-440.
567 Remez, R. E., Rubin, P. E., Nygaard, L. C., & Howell, W. A. (1987). Perceptual Normalization of Vowels Produced by Sinusoidal Voices. Journal of Experimental Psychology: Human Perception and Performance, Vol. 13, No. 1, 40-61.
723 Remez, R. E., & Rubin, P. E. (1990). On the perception of speech from time-varying acoustic information: Contributions of amplitude variation. Perception & Psychophysics, 48(4), 313-325.
889. Remez, R. E., Rubin, P. E., Berns, S. M., Pardo, J. S., & Lang, J. M. (1994). On the Perceptual Organization of Speech. Psychological Review, 101(1), 129-156.
1096 Remez, R.E., Fellowes, J.M., & Rubin, P.E. (1997). Talker identification based on phonetic information. Journal of Experimental Pshychology: Human Perception and Performance, Vol. 23, No 3, 651-666. 20
1097 Remez, R.E., Van Dyke, J.L., Fellowes, J.M. & Rubin, P.E. (1998). On the perception of qualitative and phonetic similarities of voices. In Kuhl, P.K. and Crum, L.A. (eds.) Proceedings of the.16th international Congress on Acoustics and the 135th meeting of the accoustical society of America, Vol. 4, 2063-2064.
1102 Remez, R., Fellowes, J.M., Pisoni, D.B., Goh, W.D., & Rubin, P.E. (1998). Multimodal perceptual organization of speech: Evidence from tone analogs of spoken utterances. Speech Communication, 26, 65-73.
212 Repp, B. H. (1977). Dichotic competition of speech sounds: The role of acoustic stimulus structure. Journal of Experimental Psychology: Human Perception and Performance, 3, 37-50.
222 Repp, B. H. (1977). Measuring laterality effects in dichotic listening. Journal of the Acoustical Society of America, 62, 720-737.
236 Repp, B. H. (1978). Stimulus dominance and ear dominance in the perception of dichotic voicing contrasts. Brain and Language, 5, 310-330.
237 Repp, B. H. (1978). A note on single- and double-correct responses in the dichotic two-response paradigm. Journal of the Acoustical Society of America, 63, 1220-1222.
247 Repp, B. H. (1978). Perceptual integration and differentiation of spectral cues for intervocalic stop consonants. Perception & Psychophysics, 24, 471-485.
250 Repp, B. H., Liberman, A. M., Eccardt, T., & Pesetsky, D. (1978). Perceptual integration of acoustic cues for stop, fricative and affricate manner. Journal of Experimental Psychology: Human Perception and Performance, 4, 621-637.
255 Repp, B. H., Healy, A. F., & Crowder, R. G. (1979). Categories and context in the perception of isolated steady -state vowels. Journal of Experimental Psychology: Human Perception and Performance, 5, 129-145.
280 Repp, B. H. (1979). Relative amplitude of aspiration noise as a voicing cue for syllable-initial stop consonants. Language and Speech, 22, 173-189.
283 Repp, B. H. (1980). Stimulus dominance in fused dichotic syllables: Trouble for the category goodness hypothesis. Journal of the Acoustical Society of America, 67, 288-305.
336 Repp, B. H., & Mann, V. A. (1981). Perceptual assessment of fricative-stop coarticulation. Journal of the Acoustical Society of America, 69, 1154-1163.
339 Repp, B. H. (1981). On levels of description in speech research. Journal of the Acoustical Society of America, 69, 1462-1464.
345 Repp, B. H. (1981). Perceptual equivalence of two kinds of ambiguous speech stimuli. Bulletin of the Psychonomic Society, 18, 12-14.
357 Repp, B. H. (1981). Two strategies in fricative discrimination. Perception & Psychophysics, 30, 217-227.
369 Repp, B. H., & Mann, V. A. (1982). Fricative-stop coarticulation: Acoustic and perceptual evidence. Journal of the Acoustical Society of America, 71, 1562-1567.
372 Repp, B. H. (1982). Phonetic trading relations and context effects: New evidence for a phonetic mode of perception. Psychological Bulletin, 92, 81-110.
398 Repp, B. H. (1983). Bidirectional contrast effects in the perception of VC-CV sequences. Perception & Psychophysics, 33, 147-155.
408 Repp, B. H., Milburn, C., & Ashkenas, J. (1983). Duplex perception: Confirmation of fusion. Perception & Psychophysics, 33, 333-337.
422 Repp, B. H. (1983). Coarticulation in sequences of two nonhomorganic stop consonants: Perceptual and acoustic evidence. Journal of the Acoustical Society of America, 74, 420-427.
435 Repp, B. H. (1983). Trading relations among acoustic cues in speech perception are largely a result of phonetic categorization. Speech Communication, 2, 341-361.
441 Repp, B. H. (1984). Against a role of “chirp” identification in duplex perception. Perception & Psychophysics, 35, 89-93.
443 Repp, B. H. (1984). Categorical perception: Issues, methods, findings. In N. J. Lass (Ed.), Speech and language: Advances in basic research and practice (Vol. 10). (pp. 243-335). New York: Academic Press.
449 Repp, B. H. (1984). The role of release bursts in the perception of [s]-stop clusters. Journal of the Acoustical Society of America, 75, 1219-1230.
487 Repp, B. H. (1984). Closure duration and release burst amplitude cues to stop consonant manner and place of articulation. Language and Speech, 27, 245-254.
485 Repp, B. H. (1984). Effects of temporal stimulus properties on perception of the [spl]-[spl] distinction. Phonetica, 41, 117-124.
490 Repp, B. H. & Bentin, S. (1984). Parameters of spectral/temporal fusion in speech perception. Perception & Psychophysics, 36, 523-530.
505 Repp, B. H. & Williams, D. R. (1985). Influence of following context on perception of the voiced-voiceless distinction in syllable-final stop consonants. Journal of the Acoustical Society of America, 78, 445-457.
509 Repp, Bruno H. & Williams, David R. (1985). Categorical trends in vowel imitation: preliminary observations from a replication experiment. Speech Communication 4, 105-120.
520 Repp, B. H. (1985). Perceptual Coherence of Speech: Stability of Silence-Cued Stop Consonants. Journal of Experimental Psychology: Human Perception and Performance, 11, 799-813.
530 Repp, B. H. (1986) Some observations on the development of anticipatory coarticulation. J. Acoust. Soc. Am. 79(5), 1616-1619.
536 Repp, B. H. (1986) Perception of the [m]-[n] distinction in CV syllables. J. Acoust. Soc. Am., 76(6), 1987-1999.
538 Repp, B. H. (1986) Can linguistic boundaries change the effectivess of silence as a phonetic cue? Journal of Phonetics 13, 421-431.
577 Repp, B. H. & Williams, D. R. (1987). Categorical tendencies in imitating self-produced isolated vowels. Speech Communication, 6, 1-14.
585 Repp, B. R. (1987) The sound of two hands clapping: An exploratory study. J. Acoust. Soc. Am., 81(4), 1100-1109.
602 Repp, B. H. (1987) On the possible role of auditory short-term adaption in perception of the prevocalic [m]-[n] contrast. J. Acoust. Soc. Am., 82(5), 1525-1538.
611 Repp, B. H. & Liberman, A. M. (1987) Phonetic category boundaries are flexible. Chapter in Categorical perception. The groundwork of cognition. Edited by Stevan Harnad, Behavioral and Brain Sciences, 89- 112. Cambridge Press, NY.
612 Repp, B. H. (1987) The Role of Psychophysics in Understanding Speech Perception. Chapter in The Psychophysics of Speech Perception. Series D: Behavioral and Social Sciences, No. 39, 3-27. Edited by M. E. H. Schouten, NATO ASI Series.
613 Repp, B. H. (1987) Integration and Segregation in Speech Perception. Proceedings XIth ICPhS. The Eleventh International Congress of Phonetic Sciences, Vol. 2, 21-40. Tallinn, Estonia, USSR.
619 Repp, Bruno H. & Svastikula, K. (1987) Perception of the [m]-[n] distinction in VC syllables. Journal of the Acoustical Society of America, 83(1), 237-247.
626 Repp, B. H., & Lin, H-B. (1987) Difference in second-formant transitions between aspirated and unaspirated stop consonants preceding [a]. Language and Speech, Vol. 30, Part 2, 115-129.
650 Repp, B. H., & Frost, R. (1988). Detectability of words and nonwords in two kinds of noise. Journal of the Acoustical Society of America, 84(5) 1929-1932.
656 Repp, B. H., & Lin, H. (1989). Acoustic properties and perception of stop consonant release transients. Journal of the Acoustical Society of
America, 85(1), 379-396.
661 Repp, R. H., & Lin, H. (1989). Effects of preceding context on discrimination of voice onset times. Perception & Psychophysics, 45 (4), 323-332.
664 Repp, B. H. (1988). Integration and Segregation in Speech Perception. Language and Speech, 31(3), 239-271.
666 Repp, B. H. (1989). Expressive Microstructure in Music: A Preliminary Perceptual Assessment of Four Composers' “Pulses”. Music Perception, 6(3), 243-274.
675 Repp, B. H. (1989). Traversing Upper Vowel Space: A Smooth Or A Bumpy Ride? Speech Communication, 8, 1-15.
716 Repp, B. H. (1990). Composers' Pulses: Science or Art? Music Perception, 7(4), 423-434. 13
719 Repp, B. H. (1990). Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianist. Journal of the Acoustical Society of America, 88(2), 622-641.
730 Repp, B. H. (1990). Further Perceptual Evaluations of Pulse Microstructure in Computer Performances of Classical Piano Music. Music Perception, 8, 1-33.
731 Repp, B. H., & Crowder, R. G. (1990). Stimulus order effects in vowel discrimination. Journal of the Acoustical Society of America, 88, 2080-2090.
738 Repp, B. H., & Lin, H-B. (1990). Integration of segmental and tonal information speech perception: a cross-linguistic study. Journal of Phonetics, 18, 481-495.
749 Repp, B. H., & Lin, H-B. (1991). Effects of Preceding Context on the Voice-Onset-Time Category Boundary. Journal of Experimental Psychology: Human Perception and Performance, 17(1), 289-302.
780 Repp, B. H. (1991). Some cognitive and perceptual aspects of speech and music. In J. Sundberg, L. Nord, & R. Carlson (eds.), Music, Language, Speech and Brain. Proceedings of an International Symposium at the Wenner-Gren Center. MacMillan Press, Stockholm, Sweden. (pp.257-268).
789 Repp, B. (1992). Perceptual restoration of a ”missing“ speech sound: Auditory induction or illusion? Perception & Psychophysics, 51(1), 14-32.
814 Repp, B. H., Frost, R., & Zsiga, L. (1992). Lexical Mediation Between Sight and Sound in Speechreading. The Quarterly Journal of Experimental Psychology, 45A(1), 1-20.
818 Repp, B. H. (1992). Probing the cognitive representation of musical time: Structural constraints on the perception of timing perturbations.
Cognition, 44, 241-281.
822 Repp, B. H. (1992). Diversity and commonality in music performance: An analysis of timing microstructure in Schumann's “Traumerei”. Journal of the Acoustical Society of America, 92(5), 2546-2568.
824 Repp, B. H. (1992). A Review by Bruno H. Repp of Auditory Imagery, Reisberg, D. (ed.). 274 pp. Hillsdale, NJ: Lawrence Erlbaum Associates.
826 Repp, B. H. (1991). A Review by Bruno H. Repp of Cognition and the Symbolic Processes: Applied and Ecological Perspectives, Hoffman, R. R. & Palermo, D. S. 545 pp. Hillsdale, N.J.: Lawrence Erlbaum Associates.
827 Repp, B. H. (1992). A Constraint on the Expressive Timing of a Melodic Gesture: Evidence from Performance and Aesthetic Judgment. Music Perception, 10(2), 221-242.
850 Repp, B. H. (1993). Some empirical observations on sound level properties of recorded piano tones. Journal of the Acoustical Society of America, 93(2), 1136-1144.
851 Repp, B. H. (1993). Objective performance analysis as a tool for the musical detective. Journal of the Acoustical Society of America, 93(2), 1203-1204.
857 Repp, B. H. (1993). Music as Motion: A Synopsis of Alexander Truslit's (1938) Gestaltung and Bewegung in der Musik. Psychology of Music, 21, 48-72.
866 Repp, B. H. (1993). A review by Bruno H. Repp of Speech Perception, Production and Linguistic Structure. Y. Tohkura, E. Vatikiotis-Bateson, and Y. Sagisaka (eds.). Tokyo:Ohmsha, and Amsterdam: IOS Press. Language and Speech, 36(1), 99-107.
867 Repp, B. H. (1992). Detectability of Rhythmic Perturbations in Musical Contexts: Bottom-Up Versus Top-Down Factors. Fourth Workshop on Rhythm Perception & Production. Bourges, France-June, 1992.
871 Repp, B. H. (1993). A Review by Bruno H. Repp of Cognitive Bases of Musical Communication. M. R. Jones, S. Holleran (Eds.), Washington, DC: American Psychological Association, 1992. Music Perception, 11(1), 87-98.
916 Repp, B. H. (1994). Relational invariance of expressive microstructure across global tempo changes in music performance: An exploratory study. Psychological Research, 56, 299-284.
923 Repp, B.H. (1994). Musical motion: Some historical and contemporary perspectives. In A. Friberg, J. Iwarsson, E. Jansson and J. Sundberg (eds.), Royal Swedish Academy of Music, No 79. SMAC 93, Proceedings of the Stockholm Music Acoustics Conference July 28-August 1, 1993. pp.128-135.
925 Repp, B. H. (1994). On Determining the Basic Tempo of an Expressive Music Performance. Psychology of Music, 22, 157-167.
928 Repp, B. H. (1994). The Tritone Paradox and the Pitch Range of the Speaking Voice: A Dubious Connection. Music Perception, 12(2), 227-255.
933 Repp, B. H. (1994). A review by Bruno Repp of The Auditory Processing of Speech: From Sound to Words. M. E. H. Schouten (ed.). Berlin: Mouton de Gruyter, 1992. Language and Speech, 37(3), 337-340.
957 Repp, B. H. (1995). Acoustics, perception, and production of legato articulation on a digital piano. Journal of the Acoustical Society of America, 97(6), 3862-3874.
964 Repp, B. H. (1995). Quantitative effects of global tempo on expressive timing in music performance: Some perceptual evidence. Music Perception, 13, No. 1, 39-57.
982 Repp, B. H. (1995). Expressive timing in Schumann's “Traumerei”: An analysis of performances by graduate student pianists. Journal of the Acoustical Society of America, 98(5), 2413-2427.
985 Repp, B. H. (1995). Detectability of duration and intensity increments in melody tones: A partial connection between music perception and performance. Perception & Psychophysics, 57(8), 1217-1232.
1001 Repp, B. H. (1996). The difficulty of measuring musical quality (and quantity): Commentary on Weisberg. Psychological Science, Vol. 7, No.2, 121-122.
1009 Repp, B. H. (1996). Pedal timing and tempo in expressive piano performance: A reliminary investigation. Psychology of Music, 24, 199-221.
1012 Repp, B. H. (1996). The dynamics of expressive piano performance: Schumann's “Traumerei” revisited. Journal of the Acoustical Society, 100(1), 641-650.
1014 Repp, B. H. (1996). Book Review. Shaping Time: Music, the Brain, and Performance, David Epstein (Ed.). Schirmer Books: New York. Music Perception, 13, 591-604.
1022 Repp, B. H. (1996). Patterns of note onset asynchronies in expressive piano performance. Journal of the Acoustical Society, 100 (6), 3917-3932.
1038 Repp, B. H. (1996). The art of inaccuracy: Why pianists' errors are difficult to hear. Music Perception, 14(2), 161-184.
1049 Repp, B. H. (1997). The aesthetic quality of a quantitatively average music performance: Two preliminary experiments. Music Perception, 14, 419-444.
1050 Repp, B. H. (1997). Book Review. Melodic Intonation, Psychoacoustics, and the Violin. Janina Fyk. Zielona, Gora, Poland. Music Perception, 14, 477-486.
1055 Repp, B. H. (1997). Acoustics, perception, and production of legato articulation on a computer-controlled grand piano. Journal of the Acoustical Society of America, 102(3), 1878-1890.
1056 Repp, B. H. (1997). Some observations on pianists' timing of arpeggiated chords. Psychology of Music, 25, 133-148.
1058 Repp, B. H. (1997). Spectral envelope and context effects in the tritone paradox. Perception, 26, 645-665.1060 Repp, B. H. (1997). The effect of tempo on pedal timing in piano performance. Psychological Research, 60, 164-172.
1060 Repp, B. H. (1997). The effect of tempo on pedal timing in piano performance. Psychological Research, 60, 164-172.
1061 Repp, B. H. (1997). Expressive timing in a Debussy prelude: A comparison of student and expert pianists. Musicae Scientiae, 1(2), 257-268.
1067 Repp, B.H. (1997). Variability of timing in expressive piano performance increases with interval duration. Psychonomic Bulletin & Review, 4 (4), 530-534.
1076 Repp, B.H. (1998). Obligatory “expectations” of expressive timing induced by perception of musical structure. Psychological Research, 61, 33-43.
1078 Repp, B.H. (1998). The Detectability of Local Deviations from a Typical Expressive Timing Pattern. Music Perception, Vol. 15, No. 3, 265-289.
1079 Repp, B.H. (1998). Variations on a Theme by Chopin: Relations Between Perception and Production of Timing in Music. Journal of Experimental Psychology: Human Perception and Performance, Vol. 24, No. 3, 791-811.
1086 Repp, B.H. (1998). A Microcosm of musical expression. I. Quantitative analysis of pianists’ timing in the initial measures of Chopin’s Etude in E major. Journal of the Acoustical Society of America, 104, 1085-1100.
1087 Repp, B.H. (1998). Musical motion in perception and performance. In D.A. Rosenbaum & C. E. Collyer (eds.), Timing of behavior: neural, psychological, and computational perspectives (pp. 125-144). Cambridge, MA: MIT Press.
1088 Repp, B.H. (1998). Review of The Aesthetics of Music by Roger Scruton (Oxford, U.K.: Clarendon Press, 1997). Music Perception 15, 412-422.
1099 Repp, B.H. (1998). Book Review. Controlling Creative Processes in Music by Kopiez, R., and Auhagen, W. (eds.). Psychology of Music, 26, 211-216.
1111 Repp, B.H. (1999). A microcosm of musical expression: II. Quantitative analysis of pianists’ dynamics in the initial measures of Chopin’s Etude in E major. Journal of the Acoustical Society of America, 105, 1972-1988.
1116 Repp, B.H. (1999). Control of expressive and metronomic timing in pianists. Journal of Motor Behavior, Vol. 31, No. 2, 145-164.
1117 Repp, B.H. (1999). Detecting deviations from metronomic timing in music: Effects of perceptual structure on the mental timekeeper. Perception & Psychophysics, 61 (3), 529-548.
1121 Repp, B.H. (1999). Effects of auditory feedback deprivation on expressive piano performance. Music Perception, 16,409-438.
1122 Repp, B.H. (1999). A microcosm of musical expression. III. Contributions of timing and dynamics to the aesthetic impression of pianists’ performances of the initial measures of Chopin’s Etude in E Major. Journal of the Acoustical Society of America, 106, 469-478.
1145 Repp, B.H. (1999). Book Review. Psychology of Music by Deutsch, D. (ed.). Musicae Scientiae, Vol. 3, (2), 269-276.
1147 Repp, B.H. (1999). Music, mind, and science. XVI. Individual differences in the expressive shaping of a musical phrase: The opening of Chopin’s etude in E major. Edited by Suk Won Yi. Seoul National University Press.
1148 Repp, B.H. (1999). Relationships between performance timing, perception of timing perturbations, and perceptual-motor synchronisation in two Chopin preludes. Australian Journal of Psychology, Vol. 51, No. 3, pp. 188-203.
1149 Repp, B.H. (1999). Manfred Clynes, pianist. In: A Festschrift for Manfred Clynes (pp.70-84). St. Louis, MO: MMB Music.
1175 Repp, B.H. (2000). Compensation for subliminal timing perturbations in perceptual-motor synchronization. Psychological Research, 63: 106-128.
1177 Repp, B.H. (2000). Subliminal temporal discrimination revealed in sensorimotor coordination. In P.Desain & L.Windsor (Eds.). Rhythm perception and production (pp.129-142). Lisse, The Netherlands:Swets & Zeitlinger.
1189 Repp. B.H. (2000). Pattern typicality and dimensional interactions in pianists’ imitation of expressive timing and dynamics. Music Perception, 18, 173-211.
1191 Repp, Bruno (2000). The timing implication of musical structures. In D. Greer (ed.) Musicology and Sister Disciplines, Past, Present, Future. (pp. 60-70).
1206 Repp, B.H. (2001). Phase correction, phase resetting, and phase shifts after subliminal timing perturbations in sensorimotor synchronization. Journal of Experimental Psychology: Human Perception and Performance, 27, 600-621.
1210 Repp, Bruno H. (2001). Effects of music perception and imagery on sensorimotor synchronization with complex timing patterns. In Zatorre, R.J. & Peretz, I. (Eds.) The Biological Foundations of Music (pp. 409-411). Annals of the New York Academy of Sciences, v. 930.
1230 Repp, B.H. (2001). Processes underlying adaptation to tempo changes in sensorimotor synchronization. Human Movement Science 20, 277-312.
1236 Repp, B. (2001). Expressive timing in the mind’s ear. In R.I. Godoy & H. Jorgensen (eds.). Musical Imagery, pp. 185-200. Lisse, The Netherlands: Swets & Zeitlinger.
1244 Repp, B.H. (2002). The embodiment of musical structure: effects of musical context on sensorimotor synchronization with complex timing patterns. In W. Prinz & B. Hommel (Eds), Common mechanisms in perception and action: Attention and Performance XIX (pp. 245-265). Oxford, U.K.: Oxford University Press.
1250 Repp, B. (2002). Automaticity and voluntary control of phase correction following event onset shifts in sensorimotor synchronization. Journal of Experimental Psychology: Human Perception and Performance, Vol. 28, No. 2, 410-430.
1252 Repp, B.H. (2002). Phase correction in sensorimotor synchronization: Nonlinearities in voluntary and in voluntary responses to perturbations. Human Movement Science, 21, 1-31.
1258 Repp, B.H., Windsor, W.L., & Desain, P. (2002). Effects of tempo on the timing of simple musical rhythms. Music Perception, 19, No. 4, 565-593.
1260 Repp, B.H. (2002). Phase correction following a perturbation in sensorimotor synchronization depends on sensory information. Journal of Motor Behavior, Vol. 34, No. 3, 291-298.
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