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1231  Rakerd, B., Sennett, W. & Fowler, C.A. (1987). Domain-Final lengthening and foot-level shortening in spoken English. Phonetica 44, 147-155
395    Rakerd, B., Dechovitz, D. R., & Verbrugge, R. R. (1982). An effect of sentence finality on the phonetic significance of silence. Language and Speech, 25, 267-282.
447   Rakerd, B. (1984). Vowels in consonantal context are perceived more linguistically than are isolated vowels: Evidence from an individual differences scaling study. Perception & Psychophysics, 35, 123-136.
465   Rakerd, B., Verbrugge, R. R., & Shankweiler, D. (1984). Monitoring for vowels in isolation and in a consonantal context. Journal of the Acoustical Society of America, 76, 27-31.
486   Rakerd, B. & Verbrugge, R. R. (1984). Linguistic and acoustic correlates of the perceptual structure found in an individual differences scaling study of vowels. Journal of the Acoustical Society of America, 77, 296-301.
1007  Ramsey, J. O., Munhall, K. G., Gracco, V. L., & Ostry, D. J. (1996). Functional data analyses of lip motion. Journal of the Acoustical Society, 99, 3718-3727.
150   Rand, T. C. (1974). Dichotic release from masking for speech. Journal of the Acoustical Society of America, 55, 678-680.
709   Rapala, M. M., & Brady, S. (1990). Reading Ability and Short-Term Memory: The Role of Phonological Processing. Reading and Writing: An Interdisciplinary Journal, 2, 1-25.
123   Raphael, L. J. (1972). Preceding vowel duration as a cue to the perception of the voicing characteristics of word-final consonants in American English. Journal of the Acoustical Society of America, 51, 1296-1303.
178   Raphael, L. J., & Bell-Berti, F. (1975). Tongue musculature and the feature of tension in English vowels. Phonetica, 32, 61-73.
181   Raphael, L. J. (1975). The physiological control of durational differences between owels preceding voiced and voiceless consonants in English. Journal of Phonetics, 3, 5-33.
196   Raphael, L. J., Dorman, M. F., Freeman, F., & Tobin, C. (1975). Vowel and nasal duration as cues to voicing in word-final stop consonants: Spectrographic and perceptual studies. Journal of Speech and Hearing Research, 18, 389-400.
266   Raphael, L. J., Bell-Berti, F., Collier, R., & Baer, T. (1979). Tongue position in rounded nd unrounded front vowel pairs. Language and Speech, 22, 37-48.
272   Raphael, L. J. (1979). Bridging the gap. A review by Lawrence J. Raphael of Speech and Language in the Laboratory, School, and Clinic, by J. Kavanagh and W. Strange (eds.). Contemporary Psychology, 24, 463-464.
316   Raphael, L., Dorman, M., & Liberman, A. (1980). On defining the vowel duration that cues voicing in final position. Language and Speech, 23, 297-308.
317   Raphael, L. J., & Dorman, M. F. (1980). Silence as a cue to the perception of syllable-initial and syllable-final stop consonants. Journal of Phonetics, 8, 269-275.
318   Raphael, L. J., Dorman, M. F., & Geffner, D. (1980). Voicing-conditioned durational differences in vowels and consonants in the speech of three- and four-year old children. Journal of Phonetics, 8, 335-341.    
344   Raphael, L. J. (1981). Durations and contexts as cues to word-final cognate opposition in English. Phonetica, 38, 126-147.
972   Raphael, L. J., Tobin, Y., Faber, A., Most, T., Kollia, B., & Milstein, D. (1995). Intermediate values of voice onset time. In F. Bell-Berti and L. J. Raphael (Eds.), Producing Speech: Contemporary Issues. For Katherine Safford Harris. AIP Press: Woodbury, NY.
1151 Raveh, M. & Rueckl, J.G. (2000).  Equivalent effects of inflected and derived primes: Long-term morphological priming in fragment completion and lexical decision.  Journal of Memory and Language, 42, 103-119.
404   Recasens, D. (1983). Place cues for nasal consonants with special reference to Catalan. Journal of the Acoustical Society of America, 73, 1346-1353.
448   Recasens, D. (1984). V-to-C coarticulation in Catalan VCV sequences: An articulatory and acoustical study. Journal of Phonetics, 12, 61-73.
479   Recasens, D. (1984). Vowel-to-vowel coarticulation in Catalan VCV sequences. Journal of the Acoustical Society of America, 76, 1624-1635.
483   Recasens, D. (1984). Timing constraints and coarticulation: Alveolo-palatals and sequences of alveolar + [j] in catalan. Phonetica, 41, 125-139.
521   Recasens, Daniel (1985) Coarticulatory Patterns and Degrees of Coarticulatory Resistance in Catalan CV Sequences. Language and Speech, Vol. 28, Part 2, 97-114.
879   Recasens, D., Fontdevila, J., Parrares, M. D., & Solanas, A. (1993). An electropalatographic study of stop consonant clusters. Speech Communication, 12, 335-355.
960   Recasens, D., Farnetani, E., Fontdevila, J., & Pallares, M. D. (1993). An electropalatographic study of alveolar and palatal consonants in Catalan and Italian. Language and Speech, 36, 213-234.
1046 Recasens, D., & Romero, Joaquin. (1997). An EMMA study of segmental complexity in alveolopalatals and palatalized alveolars. Phonetica, 54, 43-58.
257   Remez, R. E. (1979). Adaptation of the category boundary between speech and nonspeech: A case against feature detectors. Cognitive Psychology, 11, 38-57.
301   Remez, R. E., Cutting, J. E., & Studdert-Kennedy, M. (1980). Cross-series adaptation using song and string. Perception & Psychophysics, 27, 524-530.
338   Remez, R. E., Rubin, P. E., Pisoni, D. B., & Carrell, T. D. (1981). Speech perception without traditional speech cues. Science, 212, 947-950.
402   Remez, R. E., & Rubin, P. E. (1983). The stream of speech. Scandinavian Journal of Psychology, 24, 63-66.
420   Remez, R. E., Rubin, P. E., & Pisoni, D. B. (1983). Coding of the speech spectrum in three time-varying sinusoids. Annals of the New York Academy of Sciences, 485-489.
462   Remez, R. E., & Rubin, P. E. (1984). On the perception of intonation from sinusoidal sentences. Perception & Psychophysics, 35, 429-440.
567   Remez, R. E., Rubin, P. E., Nygaard, L. C., & Howell, W. A. (1987). Perceptual Normalization of Vowels Produced by Sinusoidal Voices. Journal of Experimental Psychology: Human Perception and Performance, Vol. 13, No. 1, 40-61.
723   Remez, R. E., & Rubin, P. E. (1990). On the perception of speech from time-varying acoustic information: Contributions of amplitude variation. Perception & Psychophysics, 48(4), 313-325.
889.  Remez, R. E., Rubin, P. E., Berns, S. M., Pardo, J. S., & Lang, J. M. (1994). On the Perceptual Organization of Speech. Psychological Review, 101(1), 129-156.
1096  Remez, R.E., Fellowes, J.M., & Rubin, P.E. (1997).  Talker identification based on   phonetic information. Journal of Experimental  Pshychology:  Human Perception and Performance, Vol. 23, No 3, 651-666.     20
1097  Remez, R.E., Van Dyke, J.L., Fellowes, J.M. & Rubin, P.E. (1998).   On the perception of qualitative and phonetic similarities of voices.  In Kuhl, P.K. and Crum, L.A. (eds.)  Proceedings of  the.16th international Congress on Acoustics and the 135th meeting  of the accoustical society  of America, Vol. 4, 2063-2064.
1102 Remez, R., Fellowes, J.M., Pisoni, D.B., Goh, W.D., & Rubin,  P.E. (1998).  Multimodal perceptual organization of speech:  Evidence from tone analogs of spoken utterances.  Speech Communication, 26, 65-73.
212   Repp, B. H. (1977). Dichotic competition of speech sounds: The role of acoustic stimulus structure. Journal of Experimental Psychology: Human Perception and Performance, 3, 37-50.
222   Repp, B. H. (1977). Measuring laterality effects in dichotic listening. Journal of the Acoustical Society of America, 62, 720-737.
236   Repp, B. H. (1978). Stimulus dominance and ear dominance in the perception of dichotic voicing contrasts. Brain and Language, 5, 310-330.
237  Repp, B. H. (1978). A note on single- and double-correct responses in the dichotic two-response paradigm. Journal of the Acoustical Society of America, 63, 1220-1222.
247   Repp, B. H. (1978). Perceptual integration and differentiation of spectral cues for intervocalic stop consonants. Perception & Psychophysics, 24, 471-485.
250   Repp, B. H., Liberman, A. M., Eccardt, T., & Pesetsky, D. (1978). Perceptual integration of acoustic cues for stop, fricative and affricate manner. Journal of Experimental Psychology: Human Perception and Performance, 4, 621-637.
255   Repp, B. H., Healy, A. F., & Crowder, R. G. (1979). Categories and context in the perception of isolated steady -state vowels. Journal of Experimental Psychology: Human Perception and Performance, 5, 129-145.
280   Repp, B. H. (1979). Relative amplitude of aspiration noise as a voicing cue for syllable-initial stop consonants. Language and Speech, 22, 173-189.
283   Repp, B. H. (1980). Stimulus dominance in fused dichotic syllables: Trouble for the category goodness hypothesis. Journal of the Acoustical Society of America, 67, 288-305.
336   Repp, B. H., & Mann, V. A. (1981). Perceptual assessment of fricative-stop coarticulation. Journal of the Acoustical Society of America, 69, 1154-1163.
339   Repp, B. H. (1981). On levels of description in speech research. Journal of the Acoustical Society of America, 69, 1462-1464.    
345   Repp, B. H. (1981). Perceptual equivalence of two kinds of ambiguous speech stimuli. Bulletin of the Psychonomic Society, 18, 12-14.
357   Repp, B. H. (1981). Two strategies in fricative discrimination. Perception & Psychophysics, 30, 217-227.
369   Repp, B. H., & Mann, V. A. (1982). Fricative-stop coarticulation: Acoustic and perceptual evidence. Journal of the Acoustical Society of America, 71, 1562-1567.
372   Repp, B. H. (1982). Phonetic trading relations and context effects: New evidence for a phonetic mode of perception. Psychological Bulletin, 92, 81-110.
398   Repp, B. H. (1983). Bidirectional contrast effects in the perception of VC-CV sequences. Perception & Psychophysics, 33, 147-155.
408   Repp, B. H., Milburn, C., & Ashkenas, J. (1983). Duplex perception: Confirmation of fusion. Perception & Psychophysics, 33, 333-337.
422   Repp, B. H. (1983). Coarticulation in sequences of two nonhomorganic stop consonants: Perceptual and acoustic evidence. Journal of the Acoustical Society of America, 74, 420-427.
435   Repp, B. H. (1983). Trading relations among acoustic cues in speech perception are largely a result of phonetic categorization. Speech Communication, 2, 341-361.
441   Repp, B. H. (1984). Against a role of “chirp” identification in duplex perception. Perception & Psychophysics, 35, 89-93.
443   Repp, B. H. (1984). Categorical perception: Issues, methods, findings. In N. J. Lass (Ed.), Speech and language: Advances in basic research and practice (Vol. 10). (pp. 243-335). New York: Academic Press.
449   Repp, B. H. (1984). The role of release bursts in the perception of [s]-stop clusters. Journal of the Acoustical Society of America, 75, 1219-1230.
485   Repp, B. H. (1984). Effects of temporal stimulus properties on perception of the [spl]-[spl] distinction. Phonetica, 41, 117-124.
487   Repp, B. H. (1984). Closure duration and release burst amplitude cues to stop consonant manner and place of articulation. Language and Speech, 27, 245-254.
 
 
490   Repp, B. H. & Bentin, S. (1984). Parameters of spectral/temporal fusion in speech perception. Perception & Psychophysics, 36, 523-530.
505   Repp, B. H. & Williams, D. R. (1985). Influence of following context on perception of the voiced-voiceless distinction in syllable-final stop consonants. Journal of the Acoustical Society of America, 78, 445-457.
509   Repp, Bruno H. & Williams, David R. (1985). Categorical trends in vowel imitation: preliminary observations from a replication experiment. Speech Communication 4, 105-120.
520   Repp, B. H. (1985). Perceptual Coherence of Speech: Stability of Silence-Cued Stop Consonants. Journal of Experimental Psychology: Human Perception and Performance, 11, 799-813.
530   Repp, B. H. (1986) Some observations on the development of anticipatory coarticulation. J. Acoust. Soc. Am. 79(5), 1616-1619.    
536   Repp, B. H. (1986) Perception of the [m]-[n] distinction in CV syllables. J. Acoust. Soc. Am., 76(6), 1987-1999.
538   Repp, B. H. (1986) Can linguistic boundaries change the effectivess of silence as a phonetic cue? Journal of Phonetics 13, 421-431.
577   Repp, B. H. & Williams, D. R. (1987). Categorical tendencies in imitating self-produced isolated vowels. Speech Communication, 6, 1-14.
585   Repp, B. R. (1987) The sound of two hands clapping: An exploratory study. J. Acoust. Soc. Am., 81(4), 1100-1109.
602   Repp, B. H. (1987) On the possible role of auditory short-term adaption in perception of the prevocalic [m]-[n] contrast. J. Acoust. Soc. Am., 82(5), 1525-1538.
611   Repp, B. H. & Liberman, A. M. (1987) Phonetic category boundaries are flexible. Chapter in Categorical perception. The groundwork of cognition. Edited by Stevan Harnad, Behavioral and Brain Sciences, 89- 112. Cambridge Press, NY.
612   Repp, B. H. (1987) The Role of Psychophysics in Understanding Speech Perception. Chapter in The Psychophysics of Speech Perception. Series D: Behavioral and Social Sciences, No. 39, 3-27. Edited by M. E. H. Schouten, NATO ASI Series.
613   Repp, B. H. (1987) Integration and Segregation in Speech Perception. Proceedings XIth ICPhS. The Eleventh International Congress of Phonetic Sciences, Vol. 2, 21-40. Tallinn, Estonia, USSR.
 
619   Repp, Bruno H. & Svastikula, K. (1987) Perception of the [m]-[n] distinction in VC syllables. Journal of the Acoustical Society of America, 83(1), 237-247.
626   Repp, B. H., & Lin, H-B. (1987) Difference in second-formant transitions between aspirated and unaspirated stop consonants preceding [a]. Language and Speech, Vol. 30, Part 2, 115-129.
650   Repp, B. H., & Frost, R. (1988). Detectability of words and nonwords in two kinds of noise. Journal of the Acoustical Society of America, 84(5) 1929-1932.
656   Repp, B. H., & Lin, H. (1989). Acoustic properties and perception of stop consonant release transients. Journal of the Acoustical Society of
America
, 85(1), 379-396.
661   Repp, R. H., & Lin, H. (1989). Effects of preceding context on discrimination of voice onset times. Perception & Psychophysics, 45 (4), 323-332.
664   Repp, B. H. (1988). Integration and Segregation in Speech Perception. Language and Speech, 31(3), 239-271.
 
666   Repp, B. H. (1989). Expressive Microstructure in Music: A Preliminary Perceptual Assessment of Four Composers' “Pulses”. Music Perception, 6(3), 243-274. 675   Repp, B. H. (1989). Traversing Upper Vowel Space: A Smooth Or A Bumpy Ride? Speech Communication, 8, 1-15.
716   Repp, B. H. (1990). Composers' Pulses: Science or Art? Music Perception, 7(4), 423-434. 13
719   Repp, B. H. (1990). Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianist. Journal of the Acoustical Society of America, 88(2), 622-641.
730   Repp, B. H. (1990). Further Perceptual Evaluations of Pulse Microstructure in Computer Performances of Classical Piano Music. Music Perception, 8, 1-33.
731   Repp, B. H., & Crowder, R. G. (1990). Stimulus order effects in vowel discrimination. Journal of the Acoustical Society of America, 88, 2080-2090.
738   Repp, B. H., & Lin, H-B. (1990). Integration of segmental and tonal information speech perception: a cross-linguistic study. Journal of Phonetics, 18, 481-495.
749   Repp, B. H., & Lin, H-B. (1991). Effects of Preceding Context on the Voice-Onset-Time Category Boundary. Journal of Experimental Psychology: Human Perception and Performance, 17(1), 289-302.
780   Repp, B. H. (1991). Some cognitive and perceptual aspects of speech and music. In J. Sundberg, L. Nord, & R. Carlson (eds.), Music, Language, Speech and Brain. Proceedings of an International Symposium at the Wenner-Gren Center. MacMillan Press, Stockholm, Sweden. (pp.257-268).
789   Repp, B. (1992). Perceptual restoration of a ”missing“ speech sound: Auditory induction or illusion? Perception & Psychophysics, 51(1), 14-32.
814   Repp, B. H., Frost, R., & Zsiga, L. (1992). Lexical Mediation Between Sight and Sound in Speechreading. The Quarterly Journal of Experimental Psychology, 45A(1), 1-20.
818   Repp, B. H. (1992). Probing the cognitive representation of musical time: Structural constraints on the perception of timing perturbations.
Cognition
, 44, 241-281.
822   Repp, B. H. (1992). Diversity and commonality in music performance: An analysis of timing microstructure in Schumann's “Traumerei”. Journal of the Acoustical Society of America, 92(5), 2546-2568.
824   Repp, B. H. (1992). A Review by Bruno H. Repp of Auditory Imagery, Reisberg, D. (ed.). 274 pp. Hillsdale, NJ: Lawrence Erlbaum Associates.
826   Repp, B. H. (1991). A Review by Bruno H. Repp of Cognition and the Symbolic Processes: Applied and Ecological Perspectives, Hoffman, R. R. & Palermo, D. S. 545 pp. Hillsdale, N.J.: Lawrence Erlbaum Associates.
827   Repp, B. H. (1992). A Constraint on the Expressive Timing of a Melodic Gesture: Evidence from Performance and Aesthetic Judgment. Music Perception, 10(2), 221-242.
850   Repp, B. H. (1993). Some empirical observations on sound level properties of recorded piano tones. Journal of the Acoustical Society of America, 93(2), 1136-1144.
851   Repp, B. H. (1993). Objective performance analysis as a tool for the musical detective. Journal of the Acoustical Society of America, 93(2), 1203-1204.

857   Repp, B. H. (1993). Music as Motion: A Synopsis of Alexander   Truslit's     (1938) Gestaltung and Bewegung in der Musik. Psychology of Music, 21, 48-72.

866   Repp, B. H. (1993). A review by Bruno H. Repp of Speech Perception, Production and Linguistic Structure. Y. Tohkura, E. Vatikiotis-Bateson, and Y. Sagisaka (eds.). Tokyo:Ohmsha, and Amsterdam: IOS Press. Language and Speech, 36(1), 99-107.
 
867   Repp, B. H. (1992). Detectability of Rhythmic Perturbations in Musical Contexts: Bottom-Up Versus Top-Down Factors. Fourth Workshop on Rhythm Perception & Production. Bourges, France-June, 1992.
 
871   Repp, B. H. (1993). A Review by Bruno H. Repp of Cognitive Bases     of Musical Communication. M. R. Jones, S. Holleran (Eds.), Washington, DC: American Psychological Association, 1992. Music Perception, 11(1), 87-98.
 
916   Repp, B. H. (1994). Relational invariance of expressive microstructure across global tempo changes in music performance: An exploratory study. Psychological Research, 56, 299-284.
923   Repp, B.H. (1994). Musical motion: Some historical and contemporary perspectives. In A. Friberg, J. Iwarsson, E. Jansson and J. Sundberg (eds.), Royal Swedish Academy of Music, No 79. SMAC 93, Proceedings of the Stockholm Music Acoustics Conference July 28-August 1, 1993. pp.128-135.  
925   Repp, B. H. (1994). On Determining the Basic Tempo of an Expressive Music Performance. Psychology of Music, 22, 157-167.  
928   Repp, B. H. (1994). The Tritone Paradox and the Pitch Range of the Speaking Voice: A Dubious Connection. Music Perception, 12(2), 227-255.
933   Repp, B. H. (1994). A review by Bruno Repp of The Auditory Processing of Speech: From Sound to Words. M. E. H. Schouten (ed.). Berlin: Mouton de Gruyter, 1992. Language and Speech, 37(3), 337-340.   
 
 
 
957   Repp, B. H. (1995). Acoustics, perception, and production of legato articulation on a digital piano. Journal of the Acoustical Society of America, 97(6), 3862-3874.
964   Repp, B. H. (1995). Quantitative effects of global tempo on expressive timing in music performance: Some perceptual evidence. Music Perception, 13, No. 1, 39-57.
 
 
982   Repp, B. H. (1995). Expressive timing in Schumann's “Traumerei”: An    analysis of performances by graduate student pianists. Journal of the Acoustical Society of America, 98(5), 2413-2427.
 
985   Repp, B. H. (1995). Detectability of duration and intensity increments in melody tones: A partial connection between music perception and performance. Perception & Psychophysics, 57(8), 1217-1232.
 
1001  Repp, B. H. (1996). The difficulty of measuring musical quality (and quantity): Commentary on Weisberg. Psychological Science, Vol. 7, No.2, 121-122.
1009  Repp, B. H. (1996). Pedal timing and tempo in expressive piano performance: A reliminary investigation. Psychology of Music, 24, 199-221.
 
1012  Repp, B. H. (1996). The dynamics of expressive piano performance: Schumann's “Traumerei” revisited. Journal of the Acoustical Society, 100(1), 641-650.
1014  Repp, B. H. (1996). Book Review. Shaping Time: Music, the Brain, and Performance, David Epstein (Ed.). Schirmer Books: New York. Music Perception, 13, 591-604.
1022  Repp, B. H. (1996). Patterns of note onset asynchronies in expressive piano performance. Journal of the Acoustical Society, 100 (6), 3917-3932.
 
1038  Repp, B. H. (1996). The art of inaccuracy: Why pianists' errors are difficult to hear. Music Perception, 14(2), 161-184.
 
1049  Repp, B. H. (1997). The aesthetic quality of a quantitatively average music performance: Two preliminary experiments. Music Perception, 14, 419-444.
1050  Repp, B. H. (1997). Book Review. Melodic Intonation, Psychoacoustics, and the Violin. Janina Fyk. Zielona, Gora, Poland. Music Perception, 14, 477-486.
1055   Repp, B. H. (1997). Acoustics, perception, and production of legato articulation on a computer-controlled grand piano. Journal of the Acoustical Society of America, 102(3), 1878-1890.
 
1056   Repp, B. H. (1997). Some observations on pianists' timing of arpeggiated chords. Psychology of Music, 25, 133-148.
1058  Repp, B. H. (1997). Spectral envelope and context effects in the tritone paradox. Perception, 26, 645-665.
1060  Repp, B. H. (1997). The effect of tempo on pedal timing in piano performance. Psychological Research, 60, 164-172.
1061 Repp, B. H. (1997). Expressive timing in a Debussy prelude: A comparison of student and expert pianists. Musicae Scientiae, 1(2), 257-268.
 
 
1067  Repp, B.H. (1997).  Variability of timing in expressive piano performance increases with interval duration.   Psychonomic Bulletin & Review, 4 (4), 530-534.
1076  Repp, B.H.  (1998).  Obligatory “expectations” of expressive timing induced by perception of musical structure. Psychological Research, 61, 33-43.
1078  Repp, B.H. (1998). The Detectability of Local Deviations from a Typical Expressive Timing Pattern. Music Perception, Vol. 15, No. 3, 265-289.
1079  Repp, B.H. (1998).  Variations on a Theme by Chopin:  Relations Between Perception and Production of Timing in Music.  Journal of Experimental Psychology: Human Perception and Performance, Vol. 24,  No. 3, 791-811.
1086  Repp, B.H. (1998).  A Microcosm of musical expression. I. Quantitative analysis  of pianists’ timing in the initial measures of Chopin’s Etude in E major.  Journal of the Acoustical Society  of America,  104, 1085-1100.
 
1087 Repp, B.H. (1998). Musical motion in perception and performance. In D.A. Rosenbaum & C. E. Collyer (eds.), Timing of behavior:  neural, psychological,  and computational perspectives  (pp. 125-144).  Cambridge, MA:  MIT Press.
 
1088  Repp, B.H. (1998).  Review of The Aesthetics of Music by Roger Scruton (Oxford, U.K.:  Clarendon Press, 1997). Music Perception 15, 412-422.
 
1099  Repp, B.H. (1998).  Book Review.  Controlling Creative Processes in Music  by Kopiez, R., and Auhagen, W. (eds.).  Psychology of Music, 26, 211-216.
1111  Repp, B.H. (1999).  A microcosm of musical expression:  II.  Quantitative analysis of pianists’ dynamics in the initial measures of Chopin’s Etude in E major.  Journal of the Acoustical Society of America, 105, 1972-1988.
1116  Repp, B.H. (1999).  Control of expressive and metronomic timing in pianists.  Journal of Motor Behavior, Vol. 31, No. 2, 145-164.
1117  Repp, B.H. (1999). Detecting deviations from metronomic timing in music:  Effects of perceptual structure on the mental timekeeper.  Perception & Psychophysics, 61 (3), 529-548.
1121 Repp, B.H. (1999).  Effects of auditory feedback deprivation on expressive piano performance.  Music Perception, 16,409-438.
1122 Repp, B.H. (1999).  A microcosm of musical expression. III. Contributions of timing and dynamics to the aesthetic impression of pianists’ performances of the initial measures of Chopin’s Etude in E Major.  Journal of the Acoustical Society of America, 106, 469-478.
1145  Repp, B.H. (1999).  Book Review. Psychology of Music by Deutsch, D. (ed.). Musicae Scientiae, Vol. 3, (2), 269-276.
 
 
1147  Repp, B.H. (1999).  Music, mind, and science. XVI. Individual differences in the expressive shaping of a musical phrase: The opening of Chopin’s etude in E major.  Edited by Suk Won Yi.  Seoul National University Press.
1148  Repp, B.H. (1999).  Relationships between performance timing, perception of timing perturbations, and perceptual-motor synchronisation in two Chopin preludes. Australian Journal of Psychology, Vol. 51, No. 3, pp. 188-203.
1149  Repp, B.H. (1999). Manfred Clynes, pianist.  In:  A Festschrift for Manfred Clynes (pp.70-84). St. Louis, MO: MMB Music.
1175   Repp, B.H. (2000). Compensation for subliminal timing perturbations in perceptual-motor synchronization. Psychological Research, 63: 106-128.
 
1177  Repp, B.H. (2000).  Subliminal temporal discrimination revealed in sensorimotor coordination. In P.Desain & L.Windsor (Eds.). Rhythm perception and production (pp.129-142). Lisse, The Netherlands:Swets & Zeitlinger.
1189  Repp. B.H. (2000). Pattern typicality and dimensional interactions in pianists’ imitation of expressive timing and dynamics. Music Perception, 18, 173-211.
1191  Repp, Bruno (2000). The timing implication of musical structures.  In D. Greer (ed.) Musicology and Sister Disciplines, Past, Present, Future. (pp. 60-70).
1206  Repp, B.H. (2001).  Phase correction, phase resetting, and phase shifts after subliminal timing perturbations in sensorimotor synchronization.  Journal of Experimental Psychology: Human Perception and Performance, 27, 600-621.
1210  Repp, Bruno H. (2001). Effects of music perception and imagery on sensorimotor synchronization with complex timing patterns. In Zatorre, R.J. & Peretz, I. (Eds.) The Biological Foundations of Music (pp. 409-411). Annals of the New York Academy of Sciences, v. 930.
1230  Repp, B.H. (2001). Processes underlying adaptation to tempo changes in sensorimotor synchronization. Human Movement Science 20, 277-312.
1236  Repp, B. (2001).  Expressive timing in the mind’s ear.  In R.I. Godoy & H. Jorgensen (eds.). Musical Imagery, pp. 185-200.  Lisse, The Netherlands: Swets & Zeitlinger.
1244  Repp, B.H. (2002).  The embodiment of musical structure: effects of musical context on sensorimotor synchronization with complex timing patterns. In W. Prinz & B. Hommel (Eds), Common mechanisms in perception and action: Attention and Performance XIX (pp. 245-265). Oxford, U.K.: Oxford University Press.
1250  Repp, B. (2002).  Automaticity and voluntary control of phase correction following event onset shifts in sensorimotor synchronization.  Journal of Experimental Psychology:  Human Perception and Performance, Vol. 28, No. 2, 410-430.
1252 Repp, B.H. (2002).  Phase correction in sensorimotor synchronization:  Nonlinearities in voluntary and in voluntary responses to perturbations.  Human Movement Science, 21, 1-31.
1258  Repp, B.H., Windsor, W.L., & Desain, P. (2002).  Effects of tempo on the timing of simple musical rhythms.  Music Perception, 19, No. 4, 565-593.
1260  Repp, B.H. (2002).  Phase correction following a perturbation in sensorimotor synchronization depends on sensory information.  Journal of Motor Behavior, Vol. 34, No. 3, 291-298.
1261  Repp, B.H. (2002). Perception of timing is more context sensitive than sensorimotor synchronization.  Perception & Psychophysics, 64 (5), 703-716.
 
1265  Repp, B.H. & Penel, A. (2002).  Auditory dominance in temporal processing: New evidence from synchronization with simultaneous visual and auditory sequences. Journal of Experimental Psychology: Human Perception and Performance, Vol. 28, No. 5, 1085-1099.
1283  Repp, B. H. (2003).  Phase attraction in sensorimotor synchronization with auditory sequences: Effects o f single and periodic distractors on synchronization accuracy. Journal of Experimental Psychology: Human Perception and Performance, Vol. 29, No.2, 290-309.
1320  Repp, B.H. (2003).  Rate limits in sensorimotor synchronization with auditory and visual sequences: The synchronization threshold and the benefits and costs of interval subdivision. Journal of Motor Behavior, Vol. 35, No.4, 355-370.
1333  Repp, B.H. & Keller, P.E. (2004).  Adaptation to tempo changes in sensorimotor synchronization: Effects of intention, attention, and awareness. The Quarterly Journal of Experimental Psychology, 57,4(3), 499-521.
1341 Repp, B.H. (2004).  Comments on “Rapid motor adaptations to subliminal frequency shifts during syncopated rhythmic sensorimotor synchronization: by Michael H. Thaut and Gary P. Kenyon (Human Movement Science 22 [2003] 321-338). Human Movement Science 23, 61-77.   
1350  Repp, B.H. & Penel, A. (2004).  Rhythmic movement is attracted more stronglyto auditory than to visual rhythms.  Psychological Research, 68: 252-270.
1353  Repp, B.H. & Knoblich, G. (2004). Perceiving action identity.  How pianists recognize their own performances.  American Psychological Society, Vol. 15, no. 9, pp. 604-609.
1362  Repp, B.H. (2004).  On the nature of phase attraction in sensorimotor synchronizations with interleaved auditory sequences. Human Movement Science 23, pp. 389 – 413.
1377 Repp, B.H. (2005).  Rate Limits of On-Beat and Off Beat Tapping With Simple Auditory Rhythms: 1. Qualitative Observations.  Music Perception 22, pp. 479-496. 
1405  Repp, B.H., London, J. & Keller, P.E. (2005).  Production and Synchronization of Uneven Rhythms at Fast Tempi.  Music Perception, v. 23:No. 1, pp. 61-78.
 
1407  Repp, B.H. (2006).  Does an auditory distractor sequence affect self- paced tapping?  Acta Psychologica, v.121(2006), pp. 81-107.
1409  Repp, B.H. (2006).  Does an auditory perceptual illusion affect on-line auditory action control?  The case of (de)accentuation and synchronization.  Exp Brain Res, v.168, pp. 493-504.  
1411  Repp, B.H. (2005).  Rate Limits of On-Beat And Off-Beat Tapping With Simple Auditory Rhythms: 2. The Roles of Different Kinds of Accent.  Music Perception, v. 23:no.2, pp. 165-187.
1413  Repp, B.H. (2005).  Sensorimotor synchronization:  A review of the tapping literature.  Psychonomic Bulletin & Review, v.12:no.6, pp. 969-992.
 
1425  Repp, B.H. (2006).  Musical synchronization.  Music, Motor Control and the Brain, Edited by: E. Altenmüller, M. Wiesendanger, J. Kesselring, Oxford University Press, Chapter 4, pp. 55-76
1438  Repp, B.H. (2006).  Rate Limits of Sensorimotor Synchronization.  Advances in Cognitive Psychology, v. 2:no.2-3, pp.  163-181. 
1444  Repp, B.H. (2007).  Hearing a melody in different ways:  Multistability of metrical interpretation, reflected in rate limits of sensorimotor synchronization.  Cognition, v. 102, pp. 434-454. 
1451  Repp, B.H. & Knoblich, G. (2007).  Action Can Affect Auditory Perception.  Psychological Science, v.18:no.1, pp. 6-7.
1459 Repp, B.H. & Doggett, R. (2007). Tapping To A Very Slow Beat:  A Comparison of Musicians and Nonmusicians.  Music Perception, v. 24:no.4, pp. 367-376.
1461 Repp, B.H. & Knoblich, G. (2007).  Toward a Psychophysics of Agency:  Detecting Gain and Loss of Control Over Auditory Action Effects.  Journal of Experimental Psychology:  Human, Perception and Performance, v. 33:no.2, pp. 469-482.
1470 Repp, B.H. (2007).  Perceiving the numerosity of rapidly occurring auditory events in metrical and nonmetrical contexts.  Perception & Psychophysics, v. 69:no.4, pp. 529-543.
1476 Repp, B.H. (2008).  Multiple temporal references in sensorimotor synchronization with metrical auditory sequences.  Psychological Research, v. 72, pp. 79-98.
1496 Repp, B.H. & Keller, P.E. (2008). Sensorimotor synchronization with adaptively timed sequences. Human Movement Science 27, pp. 423-456.
1504  Repp, B.H. (2008). Tracking an imposed beat within a metrical grid. Music Perception, 26(1), pp. 1-18. 1505 Repp, B.H. (2008).
1505 Repp, B.H. (2008).  Metrical subdivision results in subjective slowing of the beat. Music Perception, 26(1), pp. 19-39.
 
 
 
1507 Repp, B. (2008).  Perfect Phase Correction in Synchronization With Slow Auditory Sequences.  Journal of Motor Behavior, v. 40:no.5, pp. 363-367.
1516 Repp, B.H., London, J. & Keller, P.E. (2008).  Phase Correction in Sensorimotor Synchronization with Non isochronous Sequences.  Music Perception, v. 26: no.2, pp. 171-175.
1526 Repp, B.H. (2009).  Segregated in perception, integrated for action:  Immunity of rhythmic sensorimotor coordination to auditory stream segregation.  The Quarterly Journal of Experimental Psychology, v. 62, pp. 426-434.
1540 Repp, B.H. & Jendoubi, H. (2009).  Flexibility of temporal expectations for triple subdivision of a beat.  Advances in Cognitive Psychology, v.5, pp. 27-41.
1557 Repp, B.H. & Knoblich, G. (2009).  Performed or observed keyboard actions affect pianists' judgements of relative pitch.  The Quarterly Journal of Experimental Psychology, v. 62:no. 11, pp. 2156-2170.
1561 Repp, B.H. (2009).  Rhythmic sensorimotor coordination is resistant but not immune to auditory stream segregation.  The Quarterly Journal of Experimental Psychology, v. 62:no.12, pp. 2306-2312.
1562 Repp, B.H. & Thompson, J.M. (2010). Context sensitivity and invariance in perception of octave-ambiguous tones.  Psychological Research, v.74, pp.437-456.
1563 Repp, B.H. & Keller, P.E. (2010).  Self versus other in piano performance:  detectability of timing perturbations depends on personal playing style.  Experimental Brain Research, v. 202, pp. 101-110.
1566 Repp, B.H. & Bruttomesso, M. (2009).  A filled duration illusion in music:  Effects of metrical subdivision on the perception and production of beat tempo.  Advances in Cognitive Psychology, v. 5, pp. 114-134.
1569 Repp, B.H. (2010).  Sensorimotor synchronization and perception of timing:  Effects of music training and task experience.  Human Movement Science, v. 29, pp. 200-213.
1577 Repp, B.H., Steinman, S.R. (2010).  Simultaneous Event-Based and Emergent Timing:  Synchronization, Continuation, and Phase Correction.  Journal of Motor Behavior, V. 42:no.2, pp. 111-126.
1587 Repp, B.H. (2010).  Self-Generated Interval Subdivision Reduces Variability of Synchronization With A Very Slow Metronome.  Music Perception, v. 27:no.5, pp. 389-397.
1605 Repp, B.H. (2010).  Do metrical accents create illusory phenomenal accents?  Attention, Perception, & Psychophysics, v. 72(5), pp. 1390-1403.
1611 Repp, B.H., London, J., Keller, P.E. (2010).  Perception-production relationships and phase correction in synchronization with two-interval rhythms.  Psychological Research, DOI 10.1007/s0046-010-0301-8.
1614 Repp, B.H. & Marcus, R.J. (2010).  No Sustained Sound Illusion in Rhythmic Sequences.  Music Perception, v. 28(2), pp. 121-133.
1615 Repp, B.H. (2011).  Temporal evolution of the phase correction response in synchronization of taps with perturbed two-interval rhythms.  Experimental Brain Research, v. 208, pp. 89.101.
1617 Repp, B.H. (2010).  Comfortable synchronization of cyclic drawing movements with a metronome.  Human Movement Science, v 30, pp. 18-39.
1618 Repp, B.H. & Goehrke, R.M. (2011).  Music Notation, But Not Action on a Keyboard, Influences Pianists' Judgements of Ambiguous Melodies.  Music Perception, v. 28(3), pp. 315-320.
1638 Repp, B.H. (2011).  Tapping in Synchrony With a Perturbed Metronome:  The Phase Correction Response to Small and Large Phase Shifts as a Function of Temp.  Journal of Motor Behavior, v. 43 (3), pp. 213-227.
1656 Repp, B.H. (2011).  No temporal binding of action consequences to actions in a rhythmic context.  Experimental Brain Research, v. 214, pp. 491-501.
1677 Repp, B.H. (2012).  Anticipatory phase correction in sensorimotor synchronization.  Human Movement Science, doi:10.1016/j.humov.2011.11.001.
1679 Repp, B.H., Keller, P.E., Jacoby, N. (2012).  Quantifying phase correction in sensorimotor synchronization: Empirical comparison of three paradigms.  Acta Psychologica, v. 139, pp. 281-290.
1734 Repp, B. H., Mendlowitz, H. B., & Hove, M. J. (2013). Does rapid auditory stimulation accelerate an internal pacemaker? Don't bet on it. Timing & Time Perception, 1, 65-76.
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