| Abstract | Phase Correction, which is necessary for synchronization of movements with a rhythm, has been studies primarily with isochronous sequences. We used a phase perturbation method to examine phase correction in synchronization with nonisochronous sequences (3:2 interval ratios), using musically trained participants. In isochronous control sequences, the phase correction response (PCR) of the tap following a small phase shift was larger when the intervals were long (600 ms) than when they were short (400 ms). In nonisochronous cycle two-interval patterns, we found a similar dependence of the PCR on the duration of the interval following a phase shift. In three-interval patterns, however, there was no clear dependence on interval duration. The metrical interpretation of the sequences (downbeat location) had no effect on phase correction. In general, phase correction was a effective with nonisochronous as which isochronous sequences. |