Music as motion: a synopsis of Alexander Truslit’s (1938) Gestaltung und Bewegung in der Musik.

Number 857
Year 1993
Drawer 16
Entry Date 07/20/1998
Authors Repp, Bruno H.
Contact
Publication Psychology of Music, 21, 48-72.
url http://www.haskins.yale.edu/Reprints/HL0857.pdf
Abstract Truslit’s (1938) monograph, rarely cited nowadays and found in few academic libraries, contains profound insights into the motional character of music and the performer’s role in shaping it. His ideas are highly relevant to contemporary attempts to understand the nature of musical motion ad its communication in performance, and, although often speculative and supported only by very marginal data, they provide a valuable source of hypotheses for the more extensive and precise empirical inquiries that are feasible now. To bring Truslit’s important theoretical contribution to the attention of contemporary researchers and musicians, this paper presents a highly condensed and annotated translation of his book.
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